What should one use the left pedal for on an upright?












2















In the (many) years I've been playing the piano (generally upright only), I've never felt the need to use the left pedal. From what I gather, the left pedal on an upright places the hammers closer to the strings, reducing the velocity of the hammer as it strikes the strings.



However, I (like to) think that I manage the dynamics of a piece perfectly well with just varying the attack of the keys - up to the softest of pianissimo (with the added advantage that I can vary each key individually). Is there any effect on an upright piano that cannot (easily) be achieved without use of the left pedal?










share|improve this question























  • I use the left pedal almost always. Otherwise my wife would have quitt me long ago or thrown me out!

    – Albrecht Hügli
    yesterday











  • You should try it! See if you, and a discreet audience, can tell the difference on the particular piano in use.

    – Carl Witthoft
    yesterday











  • There's probably an effect, quite likely on any piano, that the soft pedal can do but not merely lowering the volume--otherwise, we wouldn't see una corda instructions on piano music.

    – Dekkadeci
    yesterday











  • @Dekkadeci I know that on grand pianos (as mentioned by Tim below) there is a notable difference, and most music is written with a grand piano in mind. So there does not need to be any noticeable effect (it seems the upright's left pedal is just a poor man's una corda)

    – Sanchises
    yesterday


















2















In the (many) years I've been playing the piano (generally upright only), I've never felt the need to use the left pedal. From what I gather, the left pedal on an upright places the hammers closer to the strings, reducing the velocity of the hammer as it strikes the strings.



However, I (like to) think that I manage the dynamics of a piece perfectly well with just varying the attack of the keys - up to the softest of pianissimo (with the added advantage that I can vary each key individually). Is there any effect on an upright piano that cannot (easily) be achieved without use of the left pedal?










share|improve this question























  • I use the left pedal almost always. Otherwise my wife would have quitt me long ago or thrown me out!

    – Albrecht Hügli
    yesterday











  • You should try it! See if you, and a discreet audience, can tell the difference on the particular piano in use.

    – Carl Witthoft
    yesterday











  • There's probably an effect, quite likely on any piano, that the soft pedal can do but not merely lowering the volume--otherwise, we wouldn't see una corda instructions on piano music.

    – Dekkadeci
    yesterday











  • @Dekkadeci I know that on grand pianos (as mentioned by Tim below) there is a notable difference, and most music is written with a grand piano in mind. So there does not need to be any noticeable effect (it seems the upright's left pedal is just a poor man's una corda)

    – Sanchises
    yesterday
















2












2








2








In the (many) years I've been playing the piano (generally upright only), I've never felt the need to use the left pedal. From what I gather, the left pedal on an upright places the hammers closer to the strings, reducing the velocity of the hammer as it strikes the strings.



However, I (like to) think that I manage the dynamics of a piece perfectly well with just varying the attack of the keys - up to the softest of pianissimo (with the added advantage that I can vary each key individually). Is there any effect on an upright piano that cannot (easily) be achieved without use of the left pedal?










share|improve this question














In the (many) years I've been playing the piano (generally upright only), I've never felt the need to use the left pedal. From what I gather, the left pedal on an upright places the hammers closer to the strings, reducing the velocity of the hammer as it strikes the strings.



However, I (like to) think that I manage the dynamics of a piece perfectly well with just varying the attack of the keys - up to the softest of pianissimo (with the added advantage that I can vary each key individually). Is there any effect on an upright piano that cannot (easily) be achieved without use of the left pedal?







piano keyboard-pedals






share|improve this question













share|improve this question











share|improve this question




share|improve this question










asked yesterday









SanchisesSanchises

307210




307210













  • I use the left pedal almost always. Otherwise my wife would have quitt me long ago or thrown me out!

    – Albrecht Hügli
    yesterday











  • You should try it! See if you, and a discreet audience, can tell the difference on the particular piano in use.

    – Carl Witthoft
    yesterday











  • There's probably an effect, quite likely on any piano, that the soft pedal can do but not merely lowering the volume--otherwise, we wouldn't see una corda instructions on piano music.

    – Dekkadeci
    yesterday











  • @Dekkadeci I know that on grand pianos (as mentioned by Tim below) there is a notable difference, and most music is written with a grand piano in mind. So there does not need to be any noticeable effect (it seems the upright's left pedal is just a poor man's una corda)

    – Sanchises
    yesterday





















  • I use the left pedal almost always. Otherwise my wife would have quitt me long ago or thrown me out!

    – Albrecht Hügli
    yesterday











  • You should try it! See if you, and a discreet audience, can tell the difference on the particular piano in use.

    – Carl Witthoft
    yesterday











  • There's probably an effect, quite likely on any piano, that the soft pedal can do but not merely lowering the volume--otherwise, we wouldn't see una corda instructions on piano music.

    – Dekkadeci
    yesterday











  • @Dekkadeci I know that on grand pianos (as mentioned by Tim below) there is a notable difference, and most music is written with a grand piano in mind. So there does not need to be any noticeable effect (it seems the upright's left pedal is just a poor man's una corda)

    – Sanchises
    yesterday



















I use the left pedal almost always. Otherwise my wife would have quitt me long ago or thrown me out!

– Albrecht Hügli
yesterday





I use the left pedal almost always. Otherwise my wife would have quitt me long ago or thrown me out!

– Albrecht Hügli
yesterday













You should try it! See if you, and a discreet audience, can tell the difference on the particular piano in use.

– Carl Witthoft
yesterday





You should try it! See if you, and a discreet audience, can tell the difference on the particular piano in use.

– Carl Witthoft
yesterday













There's probably an effect, quite likely on any piano, that the soft pedal can do but not merely lowering the volume--otherwise, we wouldn't see una corda instructions on piano music.

– Dekkadeci
yesterday





There's probably an effect, quite likely on any piano, that the soft pedal can do but not merely lowering the volume--otherwise, we wouldn't see una corda instructions on piano music.

– Dekkadeci
yesterday













@Dekkadeci I know that on grand pianos (as mentioned by Tim below) there is a notable difference, and most music is written with a grand piano in mind. So there does not need to be any noticeable effect (it seems the upright's left pedal is just a poor man's una corda)

– Sanchises
yesterday







@Dekkadeci I know that on grand pianos (as mentioned by Tim below) there is a notable difference, and most music is written with a grand piano in mind. So there does not need to be any noticeable effect (it seems the upright's left pedal is just a poor man's una corda)

– Sanchises
yesterday












3 Answers
3






active

oldest

votes


















6














Sometimes when accompanying an unamplified singer I put my foot on the soft pedal and leave it there. This allows me to play with a little more verve without overwhelming the voice. In an ideal world I might reposition the piano, or drape it with something. But this isn't an ideal world...






share|improve this answer































    4














    It makes more difference on a grand, where the 'soft' pedal moves across to hit fewer strings, and other strings with softer felt on the hammer. A 'more ethereal sound'.



    But your question concerns uprights, where what happens is the hammers are brought closer to the strings, so don't have the same terminal velocity available as when the pedal is untouched. This means that in ppp passages (that's not a typing stutter!), notes can be played more quietly with than without. Problem with trying to play very quietly is that occasionally, we don't press the key quite hard enough - result - no sound.






    share|improve this answer
























    • Interesting - are there no uprights which apply a shift? Is this an engineering compromise or merely a cost-savings approach?

      – Carl Witthoft
      yesterday











    • @CarlWitthoft - not sure, will research. But by and large, uprights are built for the lower cost end of the market - ever seen a concerto played on one? And it's a darned sight easier to move the whole action forward than sideways,So, probably a bit of both, I guess.

      – Tim
      yesterday






    • 1





      Depending upon the action, using the soft pedal might also increase the speed at which soft passages may be played. Pressing the key a certain distance with a certain acceleration will take a certain amount of time. Reducing the acceleration or limiting the velocity while keeping the distance the same would increase the time. Reducing the distance while keeping acceleration constant will reduce both velocity and time.

      – supercat
      yesterday






    • 2





      @supercat - sounds like a good answer!

      – Tim
      yesterday






    • 1





      @Tim: My level of "certain" knowledge is a bit below what I'd want to answer. There's would almost certainly be a measurable improvement in the theoretical maximum speed on some actions, but I don't know if there would be a meaningful improvement on many if any.

      – supercat
      yesterday



















    2














    The left pedal is an integrated function of a piano. Fine if you can reach all the nuances of ppp and mp. I can‘t and there is no eager to me to achieve this without this help. So the answer to your question about existing effects is depending of the abilities of the pianist and his ideas and ideals.






    share|improve this answer























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      3 Answers
      3






      active

      oldest

      votes








      3 Answers
      3






      active

      oldest

      votes









      active

      oldest

      votes






      active

      oldest

      votes









      6














      Sometimes when accompanying an unamplified singer I put my foot on the soft pedal and leave it there. This allows me to play with a little more verve without overwhelming the voice. In an ideal world I might reposition the piano, or drape it with something. But this isn't an ideal world...






      share|improve this answer




























        6














        Sometimes when accompanying an unamplified singer I put my foot on the soft pedal and leave it there. This allows me to play with a little more verve without overwhelming the voice. In an ideal world I might reposition the piano, or drape it with something. But this isn't an ideal world...






        share|improve this answer


























          6












          6








          6







          Sometimes when accompanying an unamplified singer I put my foot on the soft pedal and leave it there. This allows me to play with a little more verve without overwhelming the voice. In an ideal world I might reposition the piano, or drape it with something. But this isn't an ideal world...






          share|improve this answer













          Sometimes when accompanying an unamplified singer I put my foot on the soft pedal and leave it there. This allows me to play with a little more verve without overwhelming the voice. In an ideal world I might reposition the piano, or drape it with something. But this isn't an ideal world...







          share|improve this answer












          share|improve this answer



          share|improve this answer










          answered yesterday









          Laurence PayneLaurence Payne

          35.6k1669




          35.6k1669























              4














              It makes more difference on a grand, where the 'soft' pedal moves across to hit fewer strings, and other strings with softer felt on the hammer. A 'more ethereal sound'.



              But your question concerns uprights, where what happens is the hammers are brought closer to the strings, so don't have the same terminal velocity available as when the pedal is untouched. This means that in ppp passages (that's not a typing stutter!), notes can be played more quietly with than without. Problem with trying to play very quietly is that occasionally, we don't press the key quite hard enough - result - no sound.






              share|improve this answer
























              • Interesting - are there no uprights which apply a shift? Is this an engineering compromise or merely a cost-savings approach?

                – Carl Witthoft
                yesterday











              • @CarlWitthoft - not sure, will research. But by and large, uprights are built for the lower cost end of the market - ever seen a concerto played on one? And it's a darned sight easier to move the whole action forward than sideways,So, probably a bit of both, I guess.

                – Tim
                yesterday






              • 1





                Depending upon the action, using the soft pedal might also increase the speed at which soft passages may be played. Pressing the key a certain distance with a certain acceleration will take a certain amount of time. Reducing the acceleration or limiting the velocity while keeping the distance the same would increase the time. Reducing the distance while keeping acceleration constant will reduce both velocity and time.

                – supercat
                yesterday






              • 2





                @supercat - sounds like a good answer!

                – Tim
                yesterday






              • 1





                @Tim: My level of "certain" knowledge is a bit below what I'd want to answer. There's would almost certainly be a measurable improvement in the theoretical maximum speed on some actions, but I don't know if there would be a meaningful improvement on many if any.

                – supercat
                yesterday
















              4














              It makes more difference on a grand, where the 'soft' pedal moves across to hit fewer strings, and other strings with softer felt on the hammer. A 'more ethereal sound'.



              But your question concerns uprights, where what happens is the hammers are brought closer to the strings, so don't have the same terminal velocity available as when the pedal is untouched. This means that in ppp passages (that's not a typing stutter!), notes can be played more quietly with than without. Problem with trying to play very quietly is that occasionally, we don't press the key quite hard enough - result - no sound.






              share|improve this answer
























              • Interesting - are there no uprights which apply a shift? Is this an engineering compromise or merely a cost-savings approach?

                – Carl Witthoft
                yesterday











              • @CarlWitthoft - not sure, will research. But by and large, uprights are built for the lower cost end of the market - ever seen a concerto played on one? And it's a darned sight easier to move the whole action forward than sideways,So, probably a bit of both, I guess.

                – Tim
                yesterday






              • 1





                Depending upon the action, using the soft pedal might also increase the speed at which soft passages may be played. Pressing the key a certain distance with a certain acceleration will take a certain amount of time. Reducing the acceleration or limiting the velocity while keeping the distance the same would increase the time. Reducing the distance while keeping acceleration constant will reduce both velocity and time.

                – supercat
                yesterday






              • 2





                @supercat - sounds like a good answer!

                – Tim
                yesterday






              • 1





                @Tim: My level of "certain" knowledge is a bit below what I'd want to answer. There's would almost certainly be a measurable improvement in the theoretical maximum speed on some actions, but I don't know if there would be a meaningful improvement on many if any.

                – supercat
                yesterday














              4












              4








              4







              It makes more difference on a grand, where the 'soft' pedal moves across to hit fewer strings, and other strings with softer felt on the hammer. A 'more ethereal sound'.



              But your question concerns uprights, where what happens is the hammers are brought closer to the strings, so don't have the same terminal velocity available as when the pedal is untouched. This means that in ppp passages (that's not a typing stutter!), notes can be played more quietly with than without. Problem with trying to play very quietly is that occasionally, we don't press the key quite hard enough - result - no sound.






              share|improve this answer













              It makes more difference on a grand, where the 'soft' pedal moves across to hit fewer strings, and other strings with softer felt on the hammer. A 'more ethereal sound'.



              But your question concerns uprights, where what happens is the hammers are brought closer to the strings, so don't have the same terminal velocity available as when the pedal is untouched. This means that in ppp passages (that's not a typing stutter!), notes can be played more quietly with than without. Problem with trying to play very quietly is that occasionally, we don't press the key quite hard enough - result - no sound.







              share|improve this answer












              share|improve this answer



              share|improve this answer










              answered yesterday









              TimTim

              102k10105259




              102k10105259













              • Interesting - are there no uprights which apply a shift? Is this an engineering compromise or merely a cost-savings approach?

                – Carl Witthoft
                yesterday











              • @CarlWitthoft - not sure, will research. But by and large, uprights are built for the lower cost end of the market - ever seen a concerto played on one? And it's a darned sight easier to move the whole action forward than sideways,So, probably a bit of both, I guess.

                – Tim
                yesterday






              • 1





                Depending upon the action, using the soft pedal might also increase the speed at which soft passages may be played. Pressing the key a certain distance with a certain acceleration will take a certain amount of time. Reducing the acceleration or limiting the velocity while keeping the distance the same would increase the time. Reducing the distance while keeping acceleration constant will reduce both velocity and time.

                – supercat
                yesterday






              • 2





                @supercat - sounds like a good answer!

                – Tim
                yesterday






              • 1





                @Tim: My level of "certain" knowledge is a bit below what I'd want to answer. There's would almost certainly be a measurable improvement in the theoretical maximum speed on some actions, but I don't know if there would be a meaningful improvement on many if any.

                – supercat
                yesterday



















              • Interesting - are there no uprights which apply a shift? Is this an engineering compromise or merely a cost-savings approach?

                – Carl Witthoft
                yesterday











              • @CarlWitthoft - not sure, will research. But by and large, uprights are built for the lower cost end of the market - ever seen a concerto played on one? And it's a darned sight easier to move the whole action forward than sideways,So, probably a bit of both, I guess.

                – Tim
                yesterday






              • 1





                Depending upon the action, using the soft pedal might also increase the speed at which soft passages may be played. Pressing the key a certain distance with a certain acceleration will take a certain amount of time. Reducing the acceleration or limiting the velocity while keeping the distance the same would increase the time. Reducing the distance while keeping acceleration constant will reduce both velocity and time.

                – supercat
                yesterday






              • 2





                @supercat - sounds like a good answer!

                – Tim
                yesterday






              • 1





                @Tim: My level of "certain" knowledge is a bit below what I'd want to answer. There's would almost certainly be a measurable improvement in the theoretical maximum speed on some actions, but I don't know if there would be a meaningful improvement on many if any.

                – supercat
                yesterday

















              Interesting - are there no uprights which apply a shift? Is this an engineering compromise or merely a cost-savings approach?

              – Carl Witthoft
              yesterday





              Interesting - are there no uprights which apply a shift? Is this an engineering compromise or merely a cost-savings approach?

              – Carl Witthoft
              yesterday













              @CarlWitthoft - not sure, will research. But by and large, uprights are built for the lower cost end of the market - ever seen a concerto played on one? And it's a darned sight easier to move the whole action forward than sideways,So, probably a bit of both, I guess.

              – Tim
              yesterday





              @CarlWitthoft - not sure, will research. But by and large, uprights are built for the lower cost end of the market - ever seen a concerto played on one? And it's a darned sight easier to move the whole action forward than sideways,So, probably a bit of both, I guess.

              – Tim
              yesterday




              1




              1





              Depending upon the action, using the soft pedal might also increase the speed at which soft passages may be played. Pressing the key a certain distance with a certain acceleration will take a certain amount of time. Reducing the acceleration or limiting the velocity while keeping the distance the same would increase the time. Reducing the distance while keeping acceleration constant will reduce both velocity and time.

              – supercat
              yesterday





              Depending upon the action, using the soft pedal might also increase the speed at which soft passages may be played. Pressing the key a certain distance with a certain acceleration will take a certain amount of time. Reducing the acceleration or limiting the velocity while keeping the distance the same would increase the time. Reducing the distance while keeping acceleration constant will reduce both velocity and time.

              – supercat
              yesterday




              2




              2





              @supercat - sounds like a good answer!

              – Tim
              yesterday





              @supercat - sounds like a good answer!

              – Tim
              yesterday




              1




              1





              @Tim: My level of "certain" knowledge is a bit below what I'd want to answer. There's would almost certainly be a measurable improvement in the theoretical maximum speed on some actions, but I don't know if there would be a meaningful improvement on many if any.

              – supercat
              yesterday





              @Tim: My level of "certain" knowledge is a bit below what I'd want to answer. There's would almost certainly be a measurable improvement in the theoretical maximum speed on some actions, but I don't know if there would be a meaningful improvement on many if any.

              – supercat
              yesterday











              2














              The left pedal is an integrated function of a piano. Fine if you can reach all the nuances of ppp and mp. I can‘t and there is no eager to me to achieve this without this help. So the answer to your question about existing effects is depending of the abilities of the pianist and his ideas and ideals.






              share|improve this answer




























                2














                The left pedal is an integrated function of a piano. Fine if you can reach all the nuances of ppp and mp. I can‘t and there is no eager to me to achieve this without this help. So the answer to your question about existing effects is depending of the abilities of the pianist and his ideas and ideals.






                share|improve this answer


























                  2












                  2








                  2







                  The left pedal is an integrated function of a piano. Fine if you can reach all the nuances of ppp and mp. I can‘t and there is no eager to me to achieve this without this help. So the answer to your question about existing effects is depending of the abilities of the pianist and his ideas and ideals.






                  share|improve this answer













                  The left pedal is an integrated function of a piano. Fine if you can reach all the nuances of ppp and mp. I can‘t and there is no eager to me to achieve this without this help. So the answer to your question about existing effects is depending of the abilities of the pianist and his ideas and ideals.







                  share|improve this answer












                  share|improve this answer



                  share|improve this answer










                  answered yesterday









                  Albrecht HügliAlbrecht Hügli

                  2,894220




                  2,894220






























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