Aetas Baroca (musica)







Theatrum Barocum privatum Ceský Krumlov in urbe Cechiae.


Aetas Baroca in musica Occidentali est tempus quod a 1600 fere ad 1750 duravit.[1] Hoc tempus Renascentiae sequitur et se vicissim in Aetatem Classicam evolvit. Vocabulum baroca ex barroco 'margarita deformis' vocabulo Portugallico deducitur,[2] negante musicae ornatae et magnopere decoratae huius temporis descriptione; deinde, nomen ad architecturam etiam adhibitum est.





Theatrum Argentina. Tabula ab Ioanne Paulo Panini, 1747. Museum Lupariense.





Iacobus Peri vestimenta operatica gerit.





Arcangelus Corelli.





Ioannes Philippus Rameau. Tabula ab Iacobo Andrea Iosepho Aved 1728 picta.


Musica Baroca est maior canonis musicae classicae pars, latissime peracta, audita, investigata. Inter compositores huius temporis sunt Ioannes Sebastianus Bach, Georgius Fridericus Handel, Alexander Scarlatti, Antonius Vivaldi, Georgius Philippus Telemann, Ioannes Baptista Lully, Archangelus Corelli, Franciscus Couperin, Dionysius Gaultier, Claudius Monteverdi, Ioannes Philippus Rameau, et Henricus Purcell.


Per Aetatem Barocam, tonalitas functionalis orta est, atque compositores, histriones, et acroamata exquisitiorem ornamentationem musicam evolvebant, notationem musicam mutabant, et novas instrumentorum cantorum rationes excogitabant. Musica Baroca magnitudinem, campum, et complexitatem perfunctionis instrumentalis expansit, et operam instituit ut genus musicae. Multa vocabula et notiones musicae huius aetatis iam in usu sunt.




Index






  • 1 Notae


  • 2 Bibliographia


  • 3 Bibliographia addita


  • 4 Nexus externi





Notae |




  1. ↑ Claude V. Palisca, "Baroque," Grove Music Online (accessum 24 Augusti 2012), Online (situs lucrativus).


  2. ↑ Alison Mackay et Craig Romanec, "Baroque Guide". Tafelmusik.



Bibliographia |



  • Clarke, Hugh Archibald. 1898. A System of Harmony. Philadelphiae: T. Presser.

  • Chua, Daniel K. L. 2001. Vincenzo Galilei, modernity, and the division of nature. In Music theory and natural order from the Renaissance to the early twentieth century, ed. Suzannah Clark.

  • Donington, Robert. 1974. "A Performer's Guide to Baroque Music." Google Books.

  • Haagmans, Dirk. 1916. "Scales, Intervals, Harmony" Google Books.

  • Norton, Richard. 1984. "Tonality in Western Culture: A Critical and Historical Perspective." Google Books.

  • Nuti, Giulia. 2007. The performance of Italian basso continuo: style in keyboard accompaniment in the seventeenth and eighteenth centuries. Aldershot Angliae: Ashgate Publishing. ISBN 978-0-7546-0567-6.

  • Strunk, Oliver. 1952. Source Readings in Music History: From Classical Antiquity to the Romantic Era. Londinii: Faber & Faber.

  • Wainwright, Jonathan, et Peter Holman. 2005. "From Renaissance to Baroque: Change in Instruments and Instrumental Music in the Seventeenth Century." Google Books.

  • Wallechinsky, David. 2007. The Knowledge Book: Everything You Need to Know to Get by in the 21st century. Vasingtoniae: National Geographic Books. ISBN 1-4262-0124-9.

  • Watkins, Glenn. 1991. "Gesualdo: The Man and his Music." Google Books.

  • York, Francis L. 1909. "Harmony Simplified: A Practical Introduction to Composition." Google Books.



Bibliographia addita |



  • Christensen, Thomas Street, et Peter Dejans. 2007. Towards Tonality Aspects of Baroque Music Theory. Leuven: Leuven University Press. ISBN 978-90-5867-587-3.

  • Cyr, Mary. 2008. Essays on the Performance of Baroque Music Opera and Chamber Music in France and England. Variorum collected studies series, 899. Aldershot Angliae: Ashgate. ISBN 978-0-7546-5926-6.

  • Foreman, Edward. 2006. A Bel Canto Method, or, How to Sing Italian Baroque Music Correctly Based on the Primary Sources. Twentieth century masterworks on singing, 2. Minneapole: Pro Musica Press. ISBN 1-887117-18-0.

  • Schubert, Peter, et Christoph Neidhöfer. 2006. Baroque Counterpoint. Upper Saddle River, Novae Caesareae: Pearson Prentice Hall ISBN 0-13-183442-8.

  • Schulenberg, David. 2001. Music of the Baroque. Novi Eboraci: Oxford University Press. ISBN 0-19-512232-1.

  • Stauffer, George B. 2006. The World of Baroque Music New Perspectives. Bloomington: Indiana University Press. ISBN 0-253-34798-X.

  • Strunk, Oliver. 1952. Source Readings in Music History: From Classical Antiquity to the Romantic Era. Londinii: Faber & Faber.



Nexus externi |





Ioannes Sebastianus Bach. Pictura ab Eliade Gottlob Haussmann, 1748.




  • Barock Music (situs radiophonicus), www.barockmusic.com


  • Handel's Harpsichord Room, www.saladelcembalo.org


  • Music, Affect and Fire: Thesis on Affect Theory with Fire as the special topic, etd.lib.fsu.edu


  • Orpheon Foundation, www.orpheon.org (Vindobonae)


  • Overview of Baroque Music, www.essentialhumanities.net


  • Pandora Radio, www.pandora.com


  • Renaissance & Baroque Music Chronology, plato.acadiau.ca (de compositoribus)


  • Répertoire International des Sources Musicales (RISM), www.rism.info


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Musica
Haec stipula ad musicam spectat. Amplifica, si potes!








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