Are there any examples of feminist works in the Sword and Sorcery genre?












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A careful study of the Sword & Sorcery genre places its inception in 1961 with Leiber's response to Moorcock. The ensuing years (1965-1981) brought forth a meager handful of books in the genre, which ultimately led to Conan the Barbarian (1982) and the less-than-woman-friendly DeathStalker (1983), as well as the more derivative and somehow less-female-friendly DeathStalker II (1987).



The influences of these early forays of the genre into screenplay are easily witnessed in later live-action and animated shows as The Beastmaster, The Sword and the Sorceror, and, yes, even Korgoth of Barbaria.



My question is - was there ever any branch of this genre that forayed into modern feminism?










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  • What about all the titles listed on the Wikipedia page that you linked to (your first link) under the section "Women creators and characters"?

    – Arcanist Lupus
    1 min ago











  • I've taken the liberty of editing your question's title, which was phrased in a way that would have attracted very opinion-based answers and discussion. I think your question could be further improved (and be made less vulnerable to close-votes) if you included a few examples of what objective features would qualify a work as "[foraying] into modern feminism."

    – ApproachingDarknessFish
    56 secs ago


















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A careful study of the Sword & Sorcery genre places its inception in 1961 with Leiber's response to Moorcock. The ensuing years (1965-1981) brought forth a meager handful of books in the genre, which ultimately led to Conan the Barbarian (1982) and the less-than-woman-friendly DeathStalker (1983), as well as the more derivative and somehow less-female-friendly DeathStalker II (1987).



The influences of these early forays of the genre into screenplay are easily witnessed in later live-action and animated shows as The Beastmaster, The Sword and the Sorceror, and, yes, even Korgoth of Barbaria.



My question is - was there ever any branch of this genre that forayed into modern feminism?










share|improve this question

























  • What about all the titles listed on the Wikipedia page that you linked to (your first link) under the section "Women creators and characters"?

    – Arcanist Lupus
    1 min ago











  • I've taken the liberty of editing your question's title, which was phrased in a way that would have attracted very opinion-based answers and discussion. I think your question could be further improved (and be made less vulnerable to close-votes) if you included a few examples of what objective features would qualify a work as "[foraying] into modern feminism."

    – ApproachingDarknessFish
    56 secs ago
















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A careful study of the Sword & Sorcery genre places its inception in 1961 with Leiber's response to Moorcock. The ensuing years (1965-1981) brought forth a meager handful of books in the genre, which ultimately led to Conan the Barbarian (1982) and the less-than-woman-friendly DeathStalker (1983), as well as the more derivative and somehow less-female-friendly DeathStalker II (1987).



The influences of these early forays of the genre into screenplay are easily witnessed in later live-action and animated shows as The Beastmaster, The Sword and the Sorceror, and, yes, even Korgoth of Barbaria.



My question is - was there ever any branch of this genre that forayed into modern feminism?










share|improve this question
















A careful study of the Sword & Sorcery genre places its inception in 1961 with Leiber's response to Moorcock. The ensuing years (1965-1981) brought forth a meager handful of books in the genre, which ultimately led to Conan the Barbarian (1982) and the less-than-woman-friendly DeathStalker (1983), as well as the more derivative and somehow less-female-friendly DeathStalker II (1987).



The influences of these early forays of the genre into screenplay are easily witnessed in later live-action and animated shows as The Beastmaster, The Sword and the Sorceror, and, yes, even Korgoth of Barbaria.



My question is - was there ever any branch of this genre that forayed into modern feminism?







sword-and-sorcery feminism






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share|improve this question













share|improve this question




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edited 4 mins ago









ApproachingDarknessFish

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11.4k85984










asked 14 mins ago









vallismortisvallismortis

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  • What about all the titles listed on the Wikipedia page that you linked to (your first link) under the section "Women creators and characters"?

    – Arcanist Lupus
    1 min ago











  • I've taken the liberty of editing your question's title, which was phrased in a way that would have attracted very opinion-based answers and discussion. I think your question could be further improved (and be made less vulnerable to close-votes) if you included a few examples of what objective features would qualify a work as "[foraying] into modern feminism."

    – ApproachingDarknessFish
    56 secs ago





















  • What about all the titles listed on the Wikipedia page that you linked to (your first link) under the section "Women creators and characters"?

    – Arcanist Lupus
    1 min ago











  • I've taken the liberty of editing your question's title, which was phrased in a way that would have attracted very opinion-based answers and discussion. I think your question could be further improved (and be made less vulnerable to close-votes) if you included a few examples of what objective features would qualify a work as "[foraying] into modern feminism."

    – ApproachingDarknessFish
    56 secs ago



















What about all the titles listed on the Wikipedia page that you linked to (your first link) under the section "Women creators and characters"?

– Arcanist Lupus
1 min ago





What about all the titles listed on the Wikipedia page that you linked to (your first link) under the section "Women creators and characters"?

– Arcanist Lupus
1 min ago













I've taken the liberty of editing your question's title, which was phrased in a way that would have attracted very opinion-based answers and discussion. I think your question could be further improved (and be made less vulnerable to close-votes) if you included a few examples of what objective features would qualify a work as "[foraying] into modern feminism."

– ApproachingDarknessFish
56 secs ago







I've taken the liberty of editing your question's title, which was phrased in a way that would have attracted very opinion-based answers and discussion. I think your question could be further improved (and be made less vulnerable to close-votes) if you included a few examples of what objective features would qualify a work as "[foraying] into modern feminism."

– ApproachingDarknessFish
56 secs ago












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